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Poetry in the Post-Now
Bowery Poetry Club
308 Bowery, New York, NY
May 8th, 2010, 12pm-2pm

This is going to be an amazing event. There will be performances, demonstrations, installations and readings from two ITP classes this semester: my Reading and Writing Electronic Text class and Nancy Hechinger’s Writing and Reading Poetry in the Digital Age.

This event is intended to be a showcase for the many text-, language- and poetry-driven projects at ITP, which are sometimes unsuited to the noisy glamor of the regular ITP show (which you should also attend!). I have been overwhelmed by the quality of student projects in both classes, and I’m excited to see them presented and performed.

A sampling of projects from my class: Ramones lyrics interpreted as code, Semaphore Hero, “tagrostics” (procedurally generated acrostics built from word frequency analysis), reading the Ramayana with regular expressions, procedurally generated Vogon poetry, poems composed by weather conditions, self-conversation mangled by Markov chains, physical interfaces for remixing movie subtitles, and more! It may not actually be possible for there to be a better way for you to spend your Saturday afternoon.

Here’s the poster in PDF format. Promotional materials designed by Ted Hayes.

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Nick Montfort starts posting about Curveship, his new interactive fiction development system. I’m very eager to see what he’s come up with.

New information to me: Curveship takes the form of a Python framework. Even if this were Curveship’s only innovation, it would still be a huge step forward. Imagine how much easier it’ll be to prototype and author interactive fiction in a well-known, extensible and powerful language like Python, rather than learning a domain-specific language (Inform 6/7, TADS, etc.).

It looks like the framework’s main innovation, though, is that it inserts a layer of indirection between things that happen in the world—”actions”?—and the way those actions are rendered as text.

I’m excited to get my hands on it!

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